Display Designers: Neville Conder and Patience Clifford
Design Review presents to the British people and to their overseas visitors an illustrated record of contemporary achievement in British industry. It shows the high standard of design and craftsmanship that has been reached in a wide range of British products of to-day.
The actual examples displayed in the various Festival Exhibitions have had to be limited for reasons of space, and because not all of Britain’s products could fit into the particular stories that are told there. So, Design Review provides an opportunity for showing a wider and more up-to-date range of British industrial products than would otherwise be possible. It also contains an information service to answer queries on the products listed as well as exhibits shown in the Exhibitions, and a comprehensive display of trade and technical periodicals.
Design Review had its origin in the “Stock List” opened by the Council of Industrial Design in April 1948, as a pictorial index of contemporary British design, from which exhibits could be selected for display in the Festival Exhibitions. Manufacturers were asked to submit photographs, leaflets, or flat samples of their best products, and those reaching the required standard were accepted for the Stock List. The standard is not merely one of appearance or finish, but also of workmanship, technical efficiency, fitness for purpose and economy of production.
This Stock List has now become a reference work of value. It is always being revised and, as items will be added to it during the period of the Festival itself, Design Review displays will be the most up-to-date record in existence of British achievement in industrial design.
On the South Bank, Design Review is located in seven arches under the Waterloo Bridge approach. Each arch deals with a related group of industries.